The Creation by Haydn

Saturday, May 2, 2026 at 7:00 PM, ​The Park Church, Elmira

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Experience the awe and majesty of Haydn’s The Creation, a musical journey from chaos to light, brought to life by full orchestra, the Chorus of the Southern Finger Lakes, and soloists. Inspired by the Book of Genesis and Milton’s Paradise Lost, this timeless masterpiece bursts with vivid imagery, heavenly harmonies, and dramatic storytelling. 

Whether you're a classical music lover or simply curious to hear the power of over a hundred voices and instruments in delightful harmony, The Creation is a feast for the senses—and a triumphant celebration of life, nature, and the divine.

Come as you are, bring a friend, and enjoy an evening of music that’s both powerful and unforgettable.
*No experience needed—just a sense of wonder.

Fun for the whole family, kids under 18 are free with an adult ticket purchase.


Join us throughout May as we celebrate From Genesis to Now.

The Cantata Singers, and the Orchestra and Chorus of the Southern Finger Lakes join forces to present the classical grandeur Joseph Haydn’s 1798 masterpiece The Creation on Saturday, May 2, and Dan Forrest’s cinematic, exuberant telling of the story of Creation on Saturday, May 23.

2025-2026 ORCHESTRA SERIES

Saturday, May 2
​7:00 PM
The Park Church

​208 W Gray St, Elmira, NY 14901
(Main entrance on Church Street)

Adults: $29-$59*
Students: $15* (ID required)
Under 18: FREE (with adult ticket purchase)

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*Additional fees apply.
​Program subject to change.

Meet the Soloists

Rachel Schutz, soprano​
Welsh-American soprano Rachel Schutz is known for her sensitive and evocative performances and wide range of repertoire. She enjoys a multi-faceted career which includes opera, concert, and recital performances, and in in recent seasons won first place in both the 44th NATS Artist Award Competition and the Pro Musicis Competition.

  •  A seasoned recitalist, Ms. Schutz has been invited to perform at prestigious venues around the world including Carnegie Hall's Stern, Zankel and Weill Halls; the Ravinia, Ojai, and Yellow Barn Festivals; the Tanglewood Music Center; the Dame Myra Hess Memorial Concert Series; the Honolulu Chamber Music Series; the Hawaiʻi Concert Society; the Maui Arts and Cultural Center; and in venues around China, Taiwan, Korea, Thailand and Germany. Equally at home in concert repertoire, she has performed numerous times with the Hawaiʻi Symphony Orchestra, with the Boston Pops Orchestra, and with the Riverside and Stony Brook Symphonies, and recently gave the premier of Zhou Long’s Men of Iron and the Golden Spike with the Orchestra NOW.  Ms. Schutz’s recent opera roles have included Lise in Glass's Les enfants terribles, Thérèse in Les mamelles de Tirésias and Jessie in Mahagonny Songspiel with Opera Parallèle; Papagena in Die Zauberflöte, Johanna in Sweeney Todd and Diana in Dove's Siren Song with Hawaiʻi Opera Theatre; Gretel in Hansel und Gretel, Adele in Die Fledermaus and Susanna in Le nozze di Figaro with Stockton Opera, and Maguelonne in Cendrillon (Viardot) and Ginsburg in Scalia/Ginsburg with Opera Ithaca.

    In addition to her performance career, Ms. Schutz is a dedicated teacher and active scholar. In the fall of 2018 she joined the faculty of Ithaca College and is currently writing a book on Welsh vocal repertoire and diction for Routledge Press. Ms. Schutz holds degrees from Stony Brook University, Bard College, and the University of Hawai’i at Manoa.

Jonathan Boyd, tenor
Jonathan Boyd a native of Corning, New York consistently performs to great acclaim in Europe, North America, and South America. Mr. Boyd’s career highlights include Idomeneo with Opera Grand Avignon (France) Lensky in Eugene Onegin with Opéra-Théâtre de Metz Métropole (France) with a repise in the role while making his company debut with L’Opéra de Reims (France). Mr. Boyd performed the title role in Werther in a live HD broadcast with Teatro Colón (Argentina) and reprised the role with Scottish National Opera. The roles of Faust, Candide, and Sam in Street Scene were all debuted with Portland Opera (Oregon) and with Opera di Firenze Maggio Musicale (Italy) in the role of Le Prince in L’Amour des Trois Oranges. Mr. Boyd’s San Diego Opera debut was in the role of Green Horn in Jake Heggie’s Moby Dick.

  • Mr. Boyd’s signature roles include Alfredo with over 8 productions of La Traviata including Deutsche Oper am Rhein (Germany) and The Icelandic Opera (Iceland), Don Ottavio with over 9 productions including Opera Royal de Wallonie (Belgium), Dallas Opera, Opera Colorado, and Live HD Streaming broadcast from Teatro Colón (Argentina); Tamino with over 5 productions of Die Zauberflöte including Seattle Opera (Washington) and Teatru Manoel (Malta); Roméo with over 9 productions in Roméo et Juliette including Michigan Opera Theater (Detroit) and Opéra de Toulon (France); and Tom Rakewell with 6 productions including the Hockney production with Portland Opera (Oregon) and a new production with Teatro Municipal de Santiago (Chile).
     
    Mr. Boyd’s concert appearances have included the New York Philharmonic in Bach’s St. Matthew Passion. The Philadelphia Orchestra in a recording of Leoncavallo’s Pagliacci.  Additionally, Mr. Boyd has performed Beethoven’s Symphony No. 9 with Opéra de Rouen Haute Normandie (France), Britten’s War Requiem for Orquesta Filarmónica de Bogotá (Columbia), Mendelssohn’s Elijah with Forth Worth Symphony, Haydn’s Creation with the Choral Arts Society at the Kennedy Center, Mozart’s Requiem at Carnegie Hall, Dvořák’s Stabat Mater with Orchestre Métropolitain du Grand Montréal, Rachmaninoff’s Vespers with the Choral Arts Society in Washington D.C., Mozart’s Solemn Vespers at Carnegie Hall and with Maestro Nicholas McGegan and the Philharmonia Baroque, Handel’s Messiah.  With I Musici de Montréal Mr. Boyd was heard in Finzi’s Dies Natalis and Britten’s Les Illuminations, and with Buffalo Philharmonic Orchestra and in a live TV broadcast with Virginia Symphony the role of Mozart in Rimsky-Korsakov’s Mozart and Salieri. Most recently Mr. Boyd was the tenor soloist in Rossini’s Stabat Mater with Winter Park Bach Festival.

Marc Webster, bass
Marc Webster combines artistry and a passion for teaching as a singer and educator. He has been a member of the voice faculty in the School of Music, Theatre, and Dance at Ithaca College for over 15 years. He cultivates a dynamic learning environment where students develop their artistry, technical foundation, and professional skills, shaping the field as performers, educators, and arts professionals in professional performance, graduate programs, and young artist residencies internationally, and as music educators nationwide.

  • Upcoming performing highlights for Marc include summer performances as Father Truelove (The Rake’s Progress ) and Jules (Sunday in the Park with George ) at Glimmerglass Opera, Simone (Gianni Schicchi) at Tri-Cities Opera, a recital appearance at IC with Sparks & Wiry Cries/Oxford Lieder, and oratorio performances with the Orchestra of the Southern Finger Lakes, Cayuga Chamber Orchestra, Mohawk Valley Oratorio Society, and the Ithaca College Symphony Orchestra, conducted by Mark Russell Smith. He will also present recital and pedagogy residencies at Cedarville University and Colorado State University.

    Recent engagements include developmental workshops with Glimmerglass Opera and Ithaca College faculty and students , singing the roles of Milo Carter in The Rip Van Winkles (Ben Morris and Laura Fuentes) and the title role in Rumpelstiltskin and the Unlovable Children (Jens Ibsen). Other recent appearances include performances with NYS Baroque, Defiance Requiem Project, Albany Pro-Musica and the Philadelphia Orchestra, Syracuse Opera, Tri-Cities Opera, Rochester Philharmonic Orchestra, Symphoria, and Buffalo Philharmonic Orchestra, among others.
    An active recitalist, Marc has appeared with the Cincinnati Song Initiative, New York Festival of Song, The Song Continues series at Weill Recital Hall, and the Fall Island Vocal Arts Seminar in the Repertoire Development for Teaching Professionals Program. He has been a guest artist at Si Parla, Si Canta in Arona, Italy, and has served as interim co-director and faculty member of the vocal studio at the Songe d’été en Musique Festival in Quebec, Canada.

    As a clinician and adjudicator, he has given recent masterclasses at Boston University, DePaul University, Baldwin Wallace Conservatory, Wake Forest University, Pacific Lutheran University, the University of Texas at Brownsville, the University of S. Mississippi, E. Kentucky University, Binghamton University, Cornell University, and Sam Houston State University. Additionally, he has served as a masterclass clinician and adjudicator for the CS Music Competitions in Chicago, San Francisco, and Washington, D.C., as well as an adjudicator for the 20th anniversary McCammon International Voice Competition at Fort Worth Opera (preliminary round).

    Marc's professional training includes residencies in the Filene Studio at Wolf Trap Opera, Seattle Opera Studio, Florida Grand Opera Studio, San Francisco Opera’s Merola Program, and the Juilliard Opera Center. He holds a Doctor of Musical Arts Degree from Eastman School of Music ('25), an Artist Diploma in Opera Performance from The Juilliard Opera Center at The Juilliard School ('08) and a master’s degree in performance and literature from the Eastman School of Music ('06). His principal voice teachers include Carol Webber, Robert C. White, and David Parks. A proud graduate of Ithaca College’s B.M. in Vocal Performance and Music Education ('02), he is honored to mentor the next generation of singers at his alma mater, fostering a learning environment where students develop their unique artistic voices and prepare for fulfilling careers in music.

Know Before You Go

The Park Church
208 W Gray St, Elmira, NY 14901
(Main entrance on Church Street)

For specific information on parking and how to get there, visit The Park Church's website.

 

You'll receive an email before the performance with everything you need to know, and any special announcements about the show.  Here are some of the most frequently asked questions:

  • No, tickets are not refundable. However, they are transferrable! Pass your tickets along to a friend if you can't make it to the show.

  • Yes, tickets are transferrable. Pass your tickets along to a friend if you can't make it to the show.

  • Definitely not! While some of our patrons enjoy dressing up for a night out at the orchestra, it's certainly not a requirement and there is no dress code for any of our performances.

  • Run time for the concert is approximately 110 minutes and includes a 15 minute intermission.

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